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Electro-Voice - RE16
electro-voice

RE Series Wired Microphones

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Model: RE16

  • Tight, supercardioid pattern is uniform over a wide frequency range for consistent sound quality at all pickup angles
  • Variable-D® design virtually eliminates the up-close bass boost (proximity effect) that can make vocals sound "muddy"
  • Excellent for podium use where high intelligibility is important.
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The Electro-Voice® RE16 is a Variable-D® dynamic supercardioid microphone designed for the most exacting professional use. It is like the RE15, except that it uses a unique blast filter. The blast filter, an integral part of the RE16, permits handheld and outdoor use without “P-pops” or excessive wind noise. Utilizing the Variable-D® design the RE16 features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A supercardioid, the RE16 provides its greatest rejection at 150° off-axis. (Supercardioids provide greatest rejection in the horizontal plane when the microphone is tilted in its most natural position -30° from horizontal, as on a boom or floor stand). An easily operated “bass tilt” switch corrects spectrum balance for boom use and other longer-reach situations. A hum-bucking coil and screw-machined steel outer casing provides 25 dB of hum rejection. Hum pickup level is -125 dBm (re: .001 gauss field). Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The MemraflexTM grille screen resists deformation. The exclusive nonmetallic Electro-Voice Acoustalloy® diaphragm is virtually unaffected by extreme atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. The finish is nonreflecting fawn beige.
  • Tight, supercardioid pattern is uniform over a wide frequency range for consistent sound quality at all pickup angles
  • Variable-D® design virtually eliminates the up-close bass boost (proximity effect) that can make vocals sound "muddy"
  • Excellent for podium use where high intelligibility is important.
 
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